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We Can’t Go on Together with Suspicious Minds, Except We Can and We Will

29 Dec

An Overly Lengthy Review of Suspicion.

Before the Fact

Credits roll:  I can’t help thinking Before the Fact would’ve been a better title.  Both Suspicion and Before the Fact are pretty bland, though.  I suppose Suspicion has more of a punch.

We start the movie in a train car.  Cary Grant barges into Joan Fontaine’s little suite claiming it’s too crowded in coach.  It’s dark because the train’s in a tunnel.  The train’s in a tunnel.  Get it?  Freudian stuff?  Hitchcock?  Get it?  Ay oh!

In other news, I totally recognize this scene from Dead Men Don’t Wear Plaid!
We also get an extraneous shot of Joan Fontaine’s legs, which I suppose establishes Cary Grant’s sexual interest in her and expresses that even though she’s wearing glasses–quelle horreur!–she’s some sexy librarian type who’s only prim until you warm her up a little.

A train-ticket-taker dude comes in, checking errbody’s tickets and tries to kick Cary Grant out of this first class car because he only has a coach ticket.  He upgrades his ticket, but he doesn’t have quite enough money, so Cary Grant bums some cash from Joan Fontaine, except she doesn’t carry a lot of cash, so he pays with a stamp.  K.

This little exchange shows us he’s a charmer and that he’s bad with money.

Suspicion Level:  Low.  Society dude low on cash, charming ladies on trains.  Happens all the time.

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