Tag Archives: Final Analysis

I Just Want to Be Surprised: Final Analysis Analyzed through a Hitchcock Filter

12 Jul

This post is part of The Best Hitchcock Movies (That Hitchcock Never Made) Blogathon, running from July 7th through July 13th, 2012. 

Once upon a time, Lawrence Kasdan decided to basically remake Double Indemnity except with more bathtub sex, window-breaking, and hideous moustaches and then to so subtly call this affair Body Heat.  Several other directors soon followed suit, and thus the ‘80s and ‘90s became the era of the erotic thriller.

I don’t know exactly what it was that about this particular time that made the movie soil so fertile for this sort of thing—certainly the fashion industry decided to harken back to the Golden Age for inspiration, and politics started to conservatize itself, as well.  Maybe everybody was tired of the existential cowboys and long hair and drugs that peppered the ‘60s and ‘70s.  Whatever the case, filmmakers used the tropes that Hitchcock and various and sundry noir directors had perfected to create equal parts glistening and grimy sex thrillers—perhaps thinking they were making movies the way Hitchcock would’ve if he could’ve shown more skin.

Anyway, I’ve chosen Final Analysis for this Alfred Hitchcock Blogathon–an inspired and inspiring little number cooked up by DorianTB and Becky.  However, I must admit something:  This blogathon is all about the best Hitchcock films Hitchcock didn’t make, yet this film is probably not included on any “best of” lists (certainly none of mine).  But because it strives with all its heart to be Hitchcockian, and it’s rather fun, I chose it anyway.  With that, here’s a summary to get us started.  And, of course, spoilers, subjectivity, and slight snark abound.

This screencap makes it look cheesy, but the opening credits of this movie actually set a pretty suspenseful stage (and are probably the best part of the movie).

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